My
work explores the notions of performance and audience-ship; physicality and
intimacy; subjectivity and the personal. Interests lie in the use of the voice
and of the body – my compositional approach tending towards ‘true’, real,
visceral moments in time.
Within
my work, sound is manifest in structure and shape, manipulated within forms that
are both visual and architectural. Sound and the audience’s body in space
are physically composed and brought to a palpable, rather than purely
disembodied and intellectual, fore.
Bio:
Born
in the UK in 1981, following training at music conservatoire and a career as a
musician, Julie is now undertaking her creative practice research PhD as part of
CRiSAP (Creative Research into Sound Arts Practice) following a Distinction for
her Masters in Sound Art at UAL with Salomé Voegelin (2012) which included an
ensuing FutureMap nomination.
She
continues a dual career as professional flautist and sound artist.
